Reference: included on the Katilvik website, disc number E6-286, community Pangnirtung

Reference: included on the Katilvik website, disc number E7-887, community Frobisher Bay / Iqaluit

Reference: included on the Katilvik website, community Cape Dorset / Kinngait

listed on Artists in Canada, a Union List of Artists' Files, by National Gallery of Canada Library et al, Canadian Heritage Information Network [CHIN] website

listed on www.artprice.com

Reference: also known as Little Hummingbird / Little Thunderbird; included on the Katilvik website, tribe Anishinaabe

Reference: for more biographical information and examples of work see artist's gallery website at gevik.com

Reference:

Reference: An Ojibway artist from Ontario's Curve Lake First Nation in southeastern Ontario, McCue was a self-taught painter who learned from his cousin, Ojibway artist Arthur Shilling. McCue spent 19 years training substance abuse workers in Indigenous communities across Canada; during that time, he worked as a freelance illustrator, producing posters, book covers and illustrations. In 1976, he moved to Alberta, where he lived for the rest of his life. - Galleries West

Reference: see listed on Ancestral Portraits - The Colour of My People, by Frederick R. McDonald, University of Calgary Press, 2002; listed on Artists in Canada, a Union List of Artists' Files, by National Gallery of Canada Library et al, Canadian Heritage Information Network [CHIN] website; artist's web site at http://www.frederickmcdonald.net/

Reference:

Reference: listed on www.katilvik.com

Reference: for more biographical information and examples of work see bearclawgallery.com

Reference: included on the Katilvik website, disc number E7-1014, community Cape Dorset / Kinngait

Reference: included on the Katilvik website, disc number E9-1389, community Puvirnituq

Reference:

Reference: see Inuit Artist Index, by the Indian and Northern Affairs Canada, pg. 121, 1990; Biographies of Inuit Artists, by the Canadian Arctic Producers, 1984;

included on the Katilvik website, disc number E8-675, community George River;

listed on Artists in Canada, a Union List of Artists' Files, by National Gallery of Canada Library et al, see website at Canadian Heritage Information Network [CHIN]

Reference: for more biographical information and examples of work see artist's website at christianmorrisseau.com

listed on www.artprice.com

Reference: included on the Katilvik website, community Broughton Island / Qikiqtarjuaq

Reference: listed on Artists in Canada, a Union List of Artists' Files, by National Gallery of Canada Library et al, Canadian Heritage Information Network [CHIN] website

Reference: Collector's Dictionary of Canadian Artists at Auction, by A.Westbridge, Vol.3, pg. 49, Westbridge Pub., 2001; also listed on www.artprice.com

Reference: see Inuit Artist Index, by Indian and Northern Affairs Canada, pg.124

biography in Biographies of Inuit Artists, Vol.2, by Canadian Arctic Producers;

illustrated by the artist, Tales from the Igloos by M.Metayer, St. Martin's Press, 1972

included on the Katilvik website, disc number W2-473, community Holman

listed on Artists in Canada, a Union List of Artists' Files, by National Gallery of Canada Library et al, see website at Canadian Heritage Information Network [CHIN]

Reference: included on the Katilvik website, disc number W3-1258; listed on www.artprice.com; Born in Tuktoyaktuk, NWT in 1953, Bill Nasogaluak grew up during a time when traditional Inuit life was colliding with Southern culture. This collision informs the materials and tools he uses, as well as the content of his work. With an unwavering clearsightedness, he expresses the pain and consequences of colonialism in the North, addressing suicide, alcoholism in extraction industry workers, and the devastation of climate change for Inuit and the animals that surround them.
His artwork represents interpretations of what he knows best: his Inuvialuit culture, the mythology and traditions of his people, and the relationship between land and wildlife. Nasogaluak’s media of expression are sculpture and painting - from monumental stone pieces to miniature ivory carvings or outdoor murals. Nasogaluak has also enjoyed working in the ephemeral art forms of ice and snow.
Nasogaluak’s carvings also materialize spiritual and cultural aspects from Inuvialuit ways of being; his hope is to inspire the next generations to keep Inuit culture central to who they are. He follows the stone and the stories wherever they want to take him. - Art Gallery of Ontario

Reference: listed on www.artprice.com

Reference: for more biographical information and examples of work see artist's gallery website at bearclawgallery.com

listed on www.artprice.com

Reference: included on the Katilvik website, disc number E7-2129, community Cape Dorset / Kinngait

Reference: included on the Katilvik website, disc number E2-391, community Baker Lake