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Lot #110

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Artist Mark Douglas Dicey
Title Notation #7
Media mixed media and collage on paper
Size 5 x 8 in. / 12.7 x 20.3 cm.
Frame Size 16 x 18 x 1 in.
Sold $550 Estimate $200 - $300

Notes
bears artist's name and title on gallery label verso; framed with special glass

Provenance
Jarvis Hall Fine Art, Calgary, label verso; private collection, Calgary


Biographical Information
Mark Douglas Dicey ~ [b.1959] Canadian
Mark Dicey Studio is located on the traditional territories of the Niitsitapi (Blackfoot) + the people of the Treaty 7 region in Southern Alberta, which includes the Siksika, the Piikuni, the Kainai, the Tsuut’ina, + the Iyarhe Nakoda First Nations. Calgary/Moh’kinsstis is also home to Métis Nation of Alberta, Region III.

Mark Dicey is a painter. His field of interest is in abstraction/nonrepresentational work. Studio work, reading and general consciousness of this chosen discipline (painting history and abstraction in particular) are on going and critical to his practice. The everyday world is absorbed and brought into the making and thinking process: colours, shapes, textures and structural relationships.

For Dicey, the reactionary relationship that takes place in the painting process is twofold:
1. the day to day observances (memory) are filtered, reconfigured and applied (consciously/unconsciously);
2. the interaction with what is taking place with the medium, assessing and pursuing what is evolving, observing, guiding, controlling, manipulating, questioning, confirming.

For Dicey, the work he makes and the creative process itself are states of flux and relational conversation. Knowledge of important painters who came before such as Hans Hoffman, Joan Mitchell, Helen Frankenthaller, Cy Twombly, Jack Bush and Marion Nicoll as well as living contemporary artists such as Mary Heilmann and Brice Marden (to only name a few) is of utmost importance to Dicey’s ongoing investigation, questioning and development.

for more biographical information [including statement above] and examples of work see artist's website at markdicey.ca; represented by norberghall.com in Calgary

listed on Artists in Canada, a Union List of Artists' Files, by National Gallery of Canada Library et al, see website at Canadian Heritage Information Network [CHIN]

Historical Results for this Artist

Sold
CAD $550 - Paddle # 103666
Bidding History
Paddle #
Date
Amount
103666
10/31/2026 10:59:30 AM
CAD $550
104321
10/31/2026 10:59:30 AM
CAD $500
103666
10/31/2026 10:59:30 AM
CAD $475
104321
10/31/2026 10:59:30 AM
CAD $450
103666
10/31/2026 10:59:30 AM
CAD $425
104321
10/31/2026 10:59:30 AM
CAD $400
103666
10/31/2026 10:59:30 AM
CAD $375
104321
10/31/2026 10:59:30 AM
CAD $350
103666
10/31/2026 10:59:29 AM
CAD $325
104321
10/31/2026 10:51:20 AM
CAD $300
104093
10/31/2026 10:51:20 AM
CAD $275
104321
10/31/2026 10:51:20 AM
CAD $250
104093
10/31/2026 10:51:20 AM
CAD $240
104321
10/31/2026 10:51:20 AM
CAD $230
104093
10/31/2026 10:51:20 AM
CAD $220
104321
10/31/2026 10:14:11 AM
CAD $210
101137
10/31/2026 10:14:11 AM
CAD $200
104321
10/31/2026 9:02:28 AM
CAD $190
9290
10/24/2026 8:03:56 PM
CAD $180
102746
10/19/2026 6:28:35 PM
CAD $170

Biographical Information
Mark Douglas Dicey ~ [b.1959] Canadian
Mark Dicey Studio is located on the traditional territories of the Niitsitapi (Blackfoot) + the people of the Treaty 7 region in Southern Alberta, which includes the Siksika, the Piikuni, the Kainai, the Tsuut’ina, + the Iyarhe Nakoda First Nations. Calgary/Moh’kinsstis is also home to Métis Nation of Alberta, Region III.

Mark Dicey is a painter. His field of interest is in abstraction/nonrepresentational work. Studio work, reading and general consciousness of this chosen discipline (painting history and abstraction in particular) are on going and critical to his practice. The everyday world is absorbed and brought into the making and thinking process: colours, shapes, textures and structural relationships.

For Dicey, the reactionary relationship that takes place in the painting process is twofold:
1. the day to day observances (memory) are filtered, reconfigured and applied (consciously/unconsciously);
2. the interaction with what is taking place with the medium, assessing and pursuing what is evolving, observing, guiding, controlling, manipulating, questioning, confirming.

For Dicey, the work he makes and the creative process itself are states of flux and relational conversation. Knowledge of important painters who came before such as Hans Hoffman, Joan Mitchell, Helen Frankenthaller, Cy Twombly, Jack Bush and Marion Nicoll as well as living contemporary artists such as Mary Heilmann and Brice Marden (to only name a few) is of utmost importance to Dicey’s ongoing investigation, questioning and development.

for more biographical information [including statement above] and examples of work see artist's website at markdicey.ca; represented by norberghall.com in Calgary

listed on Artists in Canada, a Union List of Artists' Files, by National Gallery of Canada Library et al, see website at Canadian Heritage Information Network [CHIN]

Historical Results for this Artist

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