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Lot #1011

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Artist Megan Dyck
Title Larkspur
Media acrylic on wood board
Dated 2023
Size 12 x 12 in. / 30.5 x 30.5 cm.
Estimate $475 - $950

Notes
bears artist's name, title and date on gallery label verso; unframed

Provenance
generously donated by the artist; proceeds will be donated to the Kiyooka Ohe Art Centre and Sculpture Park in Springbank, Alberta. KOAC is a contemporary art centre founded by artists Harry Kiyooka and Katie Ohe where visitors can visit an impressive collection of outdoor sculptures while enjoying the sanctuary of environment. For more information or to donate directly, visit koartscentre.org


Biographical Information
Megan Dyck ~ [21st century] Canadian
Calgary-based Megan Dyck’s figurative imagery investigates the ubiquity of photography and aesthetic qualities of glitch that occur in digital and analog communication as metaphors for psychological isolation, loneliness, and desire. Transcribing benign and dramatic inadvertent visual flaws observed in contemporary and historical lens-based images of people, her paintings and drawings collectively address instances of fragmentation, warping, distortion, and double-exposure as emblems for the incongruousness of the human psyche. Co-opting pixelated selfies, frozen excerpts of online meetings, found film negatives, and lagging video-clips encountered on social media as primary visual referents, Dyck’s work attempts to convey the unease of being a consumer of images in the digital age: moving perpetually between a sense of connection and alienation. Megan Dyck is an artist and educator living and working in Calgary, AB. She received her MFA from the University of Victoria, and holds a BFA from the Alberta University of the Arts. In addition to her studio practice, Megan teaches painting and colour theory at AUArts.

Historical Results for this Artist

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Biographical Information
Megan Dyck ~ [21st century] Canadian
Calgary-based Megan Dyck’s figurative imagery investigates the ubiquity of photography and aesthetic qualities of glitch that occur in digital and analog communication as metaphors for psychological isolation, loneliness, and desire. Transcribing benign and dramatic inadvertent visual flaws observed in contemporary and historical lens-based images of people, her paintings and drawings collectively address instances of fragmentation, warping, distortion, and double-exposure as emblems for the incongruousness of the human psyche. Co-opting pixelated selfies, frozen excerpts of online meetings, found film negatives, and lagging video-clips encountered on social media as primary visual referents, Dyck’s work attempts to convey the unease of being a consumer of images in the digital age: moving perpetually between a sense of connection and alienation. Megan Dyck is an artist and educator living and working in Calgary, AB. She received her MFA from the University of Victoria, and holds a BFA from the Alberta University of the Arts. In addition to her studio practice, Megan teaches painting and colour theory at AUArts.

Historical Results for this Artist

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